If you want to plus up your photography, you have choices to make. A new body can help, but in almost every case, a new lens ...

Canon is set to expand its RF-mount lens line up with three new 'hybrid' lenses for its mirrorless cameras. In a teaser, the ...

Initial widescreen technology didn't make full use of a 35mm frame, cropping part of it and leaving it empty. Thus, ...

The 102MP sensor will be paired with Fujifilm's X-Processor 5, also brought over from its more stills-focused cameras. That ...

Distortion measures at -1.32% barrel, a good result for a 35mm lens. Further correction can be undertaken in software if required, although this is unlikely to be needed in most images.

The rise and fall of APS cameras, documented by John Wade The post APS cameras the film format that was dead within 10 years ...

The 35mm also has rather odd swirly bokeh at wider ... However, there is plenty of potential for using the lens for stills photography as well, and the results are excellent.

They join two existing lenses in the lineup, the RF 35mm f/1.4L VCM and RF 24-105mm f/2.8L IS USM Z, along with a brand new ...

Canon has announced four new lenses for its mirrorless cameras, three of which are touted 'hybrid', meaning that they are designed for video and still creators. They are the RF 24mm F1.4L VCM, RF 50mm ...

Achieving rich, true to life visuals with the large format sensor Paving the way for a new era of film production and ...

It's just the bare camera module, the design is still kept secret. The aperture can be smoothly adjusted instead of jumping between the two extremes.

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.